I've Just Seen Jesus

Many epic films have been made of biblical stories and the life of Christ—The Ten Commandments, Ben Hur, Jesus of Nazareth, and Quo Vadis, and now The Chosen, to name a few. Hollywood effects have made the Red Sea part and the waves form a giant wall of water for the cast of thousands to march to freedom from Pharaoh’s army. Technology has caused a river to turn to blood and leprosy to disappear.

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But for me no film device has been as powerful as that used in the old black and white Cecil B. DeMille film King of Kings. Instead of casting an actor to portray Christ, the director chose to show only Jesus’ feet walking along the way. The cameras focused not on Jesus but on the faces of those who were affected by Him. Made before the days of “talking films,” the movie forced its audience to read on the screen what Jesus said, and then see the result of His words in the lives changed or the bodies healed.

I was a small child when I saw this film, yet I can remember scenes in detail: the face of the woman taken in adultery when her eyes met the Master; the way the crippled child looked when he felt strength flowing into his withered leg; the joy the ten lepers expressed when they peeled off the bandages that had held their rotting skin on their bones.

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But movie depictions would pale in the reality of walking with the living Christ. What an experience it would have been to see Jesus as He walked the dusty streets of Nazareth, to sit near Him on the grassy slopes of Galilee and with our own ears hear Him say, “Blessed are the poor in spirit, for theirs is the kingdom of heaven.... Blessed are the meek, for they will inherit the earth.” To have Him take me by the hand and raise me to my feet as He spoke the words, “Neither do I condemn you; go and sin no more.” To have Him touch our dead child and say, “She is only sleeping. Child, get up.” What an experience it would have been to say at the dinner table after such a day, ­“We’ve just seen this Jesus!”

But of all the encounters with the living, walking Christ of history, none would have been as amazing as those the disciples who loved Him best experienced the third day after the crucifixion. Mary Magdalene, Mary the mother of Jesus, Martha and Mary of Bethany, Peter, John, Thomas ... on Friday they had stood at the foot of the cross. Every unbearable moment of that afternoon had been etched in their memory: the nails, the thud of the cross as it dropped into the hole the executioners had dug for it, the seven times Jesus had groaned out His last words. How could they ever forget the ugly, taunting remarks of the Romans? The contrast between the curses of one thief who died beside Him and the plea of another whose eyes met Jesus’s as He promised that that very day they would be together in paradise—these memories played back over and over again as these witnesses tried to sleep that Saturday night.

They had waited around—through the storm, through the eerie blackness of midday until evening when the soldiers came to confirm that the bodies were lifeless. It ­hadn’t been hard to take Jesus’ body down from the cross; the nails—from the rough treatment and the weight of His body—had torn large holes through His hands.

Joseph of Arimathea spoke to the soldiers and asked for permission to take Jesus’ body for burial in an unused grave on his property. By the time the body had been released and they’d carried it to the tomb, they had little time left before sundown, the beginning of Sabbath, to wash and wrap the body. There was no doubt that Jesus was dead. The gaping wounds, especially from the spear the soldiers had jabbed in His side, had released so much blood and body fluids that He looked shrunken and dehydrated.  

How tenderly they must have washed His body, His words still echoing through their minds: “Take, eat; this is my body that is broken for you.” The night before they had thought that the bread and the wine and His words were only symbols as ancient as Moses.

Now they realized this was a new thing—this breaking of bread He had asked them to “do in remembrance” of Him. For His part, it was no symbol. His real body here in their hands was torn to pieces. For them, too, it would become more than a symbol; it would become a call to follow His example, even if it meant losing their lives.

That Sabbath eve they had gone their separate ways in silence. There was nothing to say. It seemed to be all over. They had walked an amazing journey with Him toward a promised kingdom that now seemed to lie shattered at their feet. Yet something unexplainable in their bones felt not like an end but a beginning. Perhaps they were in denial, yet there was a sense of hope in all the black hopelessness that no one could articulate—not to each other, not to themselves.

They would each tell a very personal account of those hours, for knowing Him was a personal experience, shared, yet uniquely their own. One thing for certain: No one could really see Him, or be seen by those eyes that seemed to look into one’s very soul, and ever be the same again.

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Then, on that Easter morning, they found the tomb empty. Mary Magdalene had actually spoken to the living Christ, and they—Peter and John—ran to check out her story. Could it be true? They felt the gamut of emotions as they entered the garden of the tomb. They could see at once the open grave, the stone leaning to one side as if it had been shoved like a child’s toy out of someone’s way. And then they saw the figure clothed in white, sitting on the huge stone to the side of where they had laid their Lord’s body.

“Why do you look for life in the place of the dead? He is not here! He is risen! Look, this is where you laid Him!”

Their faces. What was in their faces? And how did they return to the other disciples? Whatever happened to them there and later when He appeared to them, charged them with a passion that still, two thousand years later, makes us believe their story.

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The Song and the Sword

I have a file four inches thick in my office called “THE SONG THAT BROUGHT ME HOME.”  It is full of letters people have written us over the years telling of the power of a song to break through the maze of the mind, when nothing else would, to turn lives around and bring hearts back home.  Some day I hope to turn that folder into a book.

Most of us have our own stories, stories of how deaf we were to lectures and arguments, no matter how true or logical, and how love managed to throw us a life-line floating on the wings of a song or poem, painting, or story that by-passed all steel-trap excuses and went straight to the wound in the soul.

It was the English author Edward Bulwer-Lytton who put in the voice of the Cardinal, a character in his 1839 play Richelieu; Or the Conspiracy these words:

True, This—
Beneath the rule of men entirely great
The pen is mightier than the sword.  Behold
The arch-enchanters wand!—itself is nothing!
But taking sorcery from the master-hand
To paralyze the Caesars, and to strike
The loud earth breathless!—Take away the sword.

Ah!  The power of words over the machinery of war!  This quote brings to mind a sentence burned deep into a piece of barn wood on our entry gate that has been attributed to Plato and others:  “Let me write the songs of a nation; I care not who writes its laws.”

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It occurs to me that the list of life-lessons (Proverbs) and the love poem (Song of Solomon) of the wise Solomon and the songs of David (the Psalms) have outlasted most constitutions and articles of government.  The Psalms continue to sing their way into the lives of our children and our children’s children, and most of us have laid our old folks to rest reciting and singing their eternal truths.

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When Bill and I taught high school English, we loved to have the students learn the poem of Longfellow entitled “The Arrow and the Song,” comparing the speed and accuracy of an arrow to that of a song.  The poem ends with this stanza:

Long, long afterward in an oak
I found the arrow, still unbroke;
And the song from beginning to end
I found again in the heart of a friend.

How effective and long-lasting is the marriage of a great message and the perfect music when they are both beautiful and true.

Some historians and anthropologists theorize that music evolved rather late.  This has to be the case if they also believe that human beings evolved from primitive life forms that could only grunt and groan to communicate their basic needs.  But philosophers and thinkers like J. R. R.  Tolkien (The Hobbit, Lord of the Rings) and C. S. Lewis (Narnia, Mere Christianity, The Four Loves, Screwtape Letters) believe that not only did music come first but that it was His song, sung into the void, that created the earth and everything in it. Many physicists now are finding evidence that the originator of all matter is the vibrating sound wave and that the Big Bang had to be a sound.  Could it possibly have been with a song God sang all things into existence?  Could it be that it was the song that departed when man decided to play God, and God wrote “Ichabod” over the doorpost of mankind?  Was it the absence of the song that confused communication after the Tower of Babel? And was it to return the song to our lives that Jesus came and the angels sang?

When we see what is happening to our ability to communicate with each other on a deep and meaningful level, we might be concerned that what started with music and the Song of God (the Word) might end up with grunts and groans.

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Church, we must keep singing!  We must sing the deep, pure, clear song of Jesus and sing it with great joy!  Perhaps Bob Benson best explained why in this beautiful piece:

There has to be a song—
There are too many dark nights,
Too many troublesome days,
Too many wearisome miles,
There has to be a song—
To make our burdens bearable,
To make our hopes believable,
To release the chains of past defeats,
Somewhere—down deep in a forgotten corner of each one’s heart—
There has to be a song—
Like a cool, clear drink of water
Like the gentle warmth of sunshine,  
Like the tender love of a child,
There has to be a song.

 

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By This Fire

This is the fourth in the series of “vlogs” or video blogs that have included the three blessings books (Marriage, Home, and Child). This one is a personal tribute to long-term marriage.

Our first baby was 18 months old when we built our house that we have lived in all these years. The house has grown up with us, and our family has grown up in it.  We always had a fireplace, but when we added our “new” kitchen to the original house, our son was seven years old.  We knew we wanted a fireplace in the kitchen, and a day bed, and a window seat.  We wanted a big island for serving as many people as would fit in our house, and a big long table where at least 10 people could comfortably sit together.

Little did we know that the fireplace in that big new kitchen would become much more than a fireplace.  It would become the soul of our house.  And it would witness all the things that a marriage comes to experience in more than a half century of living and loving together.  Somehow, the marriage, the family, and the house have endured—as has the sweet habit of building fires through the seasons of our lives.  We would like to share with you a bit of what those fires have witnessed over the years.  All of our children are now fire-builders on their own, thanks to Bill’s passion for drawing us all together around a fire.  And that son who was seven when we built this fireplace now is building fires for his own family and created the music score for the reading of all of the Blessing Books as well as the following tribute to the memories we all made BY THIS FIRE.

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January Bones

How I love the starkness of January!  I love that everything is shucked down to the bare bone essentials.  Oh, I love the lushness of June, too—the trees lavishly clothed in leaves, the outrageously vibrant greens of the grasses, the surprising flashes of color from flowers and birds, the blue, blue of the summer sky.

Photo by Angela Kellogg

Photo by Angela Kellogg

 But January tells the truth.  It confesses the framework that holds everything together--the skeletons of the giant maples and oaks, cottonwoods and sycamores, black against the pale gray sky, the brave sticks of bushes and vines that in summer inched their way sunward through the thicket of obstructions while holding up the weight of foliage and fruit.

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 January exposes the crimes of men who under the guise of “tree trimming,” assault and rape the pride and grandeur of hardwoods, slashing the branches off like a privet hedge, wounding and forcing the proud oaks and maples to form knuckles of scar-tissue, making them vulnerable to disease and insects, and, eventually, making the tree send out twig shoots as if they were saplings.

 Nature does no such assassinating.  Even an ice storm picks and chooses, pulling down branches grown too heavy or eliminating limbs hollowed by disease. But January also lays bare the beauty of trees that have survived storms and injury to spread their giant arms over fields and meadows to shelter wild life, shade cattle herds, and cool homesteads.

Photo by Angela Kellogg

Photo by Angela Kellogg

 January reminds me to be thankful for the framework that holds up our lives as well—thankful for the laws that protects our freedoms, the social systems, like hospitals, schools, government agencies, and churches, that hold the communities of breathing peoples together, giving society shape, structure, and strength.

Photo by Angela Kellogg

Photo by Angela Kellogg

 The starkness of January reminds me to be thankful for the gracious mercies of God and for hope and love and faith that hold us together when we forget to be thankful.  And in the chill of winter when the sky is black and dotted with constellations, I am reminded to be grateful for the Greater Law, the very breath of God that holds together our fragile universe and those beyond, galaxies unending.

Thank you, God, for January, that reveals that you are the ultimate framework that
holds all things together.  Without you, we are just leaves and thistle down, fragile
grasses and chicken feathers the wind blows away.

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